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    Please use this identifier to cite or link to this item: http://chur.chu.edu.tw/handle/987654321/33932


    Title: 殘缺與圓滿-評論武俠小說中金庸的「悲劇藝術」與黃易的「圓型人物」的深層意義
    Authors: 鄭錠堅
    Kin, Cheng Ting
    Contributors: 通識教育中心
    Center for General Education
    Keywords: 1悲劇藝術 2東西悲劇 3金庸小說 4;圓型人物 5;完美人格 6;黃易小說
    1;The arts of Tragedy 2;Eastern and Western Tragedy 3;Jin Yong;s Novels 4;Circular figure 5;Perfect personality 6;Huang Yi;s Novels
    Date: 2009
    Issue Date: 2014-06-27 02:33:44 (UTC+8)
    Abstract: 東方哲學中,不論儒家或佛學,都有所謂完美人格或圓型人物的理念及追尋。在儒學,是「聖」或「止於至善」的高山仰止;在佛家,即「佛」或「覺行圓滿」的終極境界。而且綜觀中西真實歷史的發展,不管根據的是「素王」(無政治實權的完美人格)或「聖王」(有政治實權的完美人格)的標準,都發現確實曾經出現契近完美的歷史人物。於是本文從哲學理念的探討作為開始,進一步以此標準去審視、分析小說世界,發現兩位武俠小說名家,金庸與黃易的作品,對完美人格及終極真理有著全然不同的人生態度及處理方式,而因此發展出「悲劇文學」與「完美風格」的不
    In the eastern philosophy, whether Confucian or Buddhist, there are the so-called perfect personality or character ideas and locating round. In Confucianism, is called the striving for Saint; in Buddhism, namely the studying to be a Buddha. And we look at
    Appears in Collections:[Center for General Education] Journal Articles

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