杜象是當代藝術史上第一位以「現成物」(Ready-Made)的作品,送入藝術展覽機制的藝術家。從他之後,藝術創作特別重視藝術家「意象觀念化」的意圖,以及作品與觀眾的互動。杜象的許多作品都企圖激 This article analyzes the heuristic influence of Marcel Duchamp on Conceptual Art, which is an interesting topic in contemporary art history, with a historic study and comparative method, the author compares many important characteristics and art works to