Chung-Hua University Repository:Item 987654321/33092
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    Please use this identifier to cite or link to this item: http://chur.chu.edu.tw/handle/987654321/33092


    Title: 杜象與觀念藝術
    Authors: 唐曉蘭
    Tang, Hsiao-Lan
    Contributors: 通識教育中心
    Center for General Education
    Keywords: 杜象;觀念藝術;創作意圖;理念;現成物;非物質化;文獻檔案;文字;表演;裝置;地景
    Duchamp;Conceptual Art;Intention;the Idea;Ready-Made;The Dematerialization of Art;Documentation;Word;Performance;Installation;Land Art
    Date: 2005
    Issue Date: 2014-06-27 02:13:58 (UTC+8)
    Abstract: 本研究以分析杜象(1887-1968)對觀念藝術的啟發與影響為目的。全文探討當代藝術史在1915-1977期間，杜象效應與觀念藝術發展的關係。研究方法採用歷史研究與比較研究法。經由幾位觀念藝術家的言論、代表作品的象徵、以及特質的對照，我們可以證明都與杜象對藝術創作的觀點、理念、多樣化媒材選擇、心靈溝通…有相關性。

    杜象是當代藝術史上第一位以「現成物」（Ready-Made）的作品，送入藝術展覽機制的藝術家。從他之後，藝術創作特別重視藝術家「意象觀念化」的意圖，以及作品與觀眾的互動。杜象的許多作品都企圖激
    This article analyzes the heuristic influence of Marcel Duchamp on Conceptual Art, which is an interesting topic in contemporary art history, with a historic study and comparative method, the author compares many important characteristics and art works to
    Appears in Collections:[Center for General Education] Journal Articles

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